By Keya Ganguly
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Among the arrival of films within the Eighteen Nineties and the shut of the 'silent' period on the finish of the Twenties, a few of the longest, costliest and so much watched motion pictures on each side of the Atlantic drew upon biblical traditions. David J. Shepherd strains the evolution of the biblical movie in the course of the silent period, asking why the Bible attracted early movie makers, how biblical motion pictures have been indebted to different interpretive traditions, and the way those movies have been bought.
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Cinema, Emergence, and the Films of Satyajit Ray by Keya Ganguly