By Chris Meigh-Andrews
Tracking the altering different types of video artwork on the subject of the revolution in digital and electronic imaging that has taken position over the last 50 years, A background of Video Art orients video paintings within the wider artwork historic context, with specific connection with the shift from the structuralism of the past due Sixties and early Seventies to the post-modernist matters of the Nineteen Eighties and early Nineties. the hot variation additionally explores the consequences of the internationalisation of artists' video within the interval major as much as the recent millennium and its issues and preoccupations together with post-colonialism, the post-medium and the effect and impact of the internet.
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A History of Video Art by Chris Meigh-Andrews